I took a trip to LA last week for an audition, and after the audition drove around to places I've wanted to visit, and found the neighborhood I want to move to! It's a charming beach town. Little yoga studios and cupcake shops lined the street, and the lifeguard towers on the beach were painted in vibrant patterns.
<------ (this is Manhattan Beach, AKA where I'm going to live in January)
I'm enjoying my more open schedule, since my last show closed, and getting to do things I never have time for! Like blogging, and disneyland, and finishing projects, learning Italian, starting a new dance teaching class, and working on new scenes in a my acting class.
But since the show closed, I've been in a bit of a tizzy with this particular company. It was great to work with a new theater, and I was blessed that they took the chance on a girl they didn't know anything about. Made some fun friends, and got to learn a show I didn't know before. But the show closed, and we didn't get paid. Three weeks later, and still the promise of a paycheck without receiving my money. Its sad to see a theater struggle to bring in audiences, but its frustrating as a poor performer, who needs that little paycheck to fill up my gas tank so I can go to more auditions!
(Me as Liane D'Exelmans in Gigi) ---------->
Oh, and I'm doing the most important thing a growing performer can do- seeing other live performances weekly! I live in such a great city. Best shows of the summer? Robin and the Seven Hoods at The Old Globe and Limelight: the story of Charlie Chaplain at La Jolla Playhouse. So much talent on those stages!
Thoughts from the stage....
Thursday, October 21, 2010
Wednesday, May 26, 2010
Keeeeeep Hoooldinggg Onnnnn......
It has been 18 days since I graduated college. I've never been the person to "cross that bridge when I come to it", and instead always try to stay one step ahead. So I spent the last half of my semester going to at least an audition a week. Some of these turned into callbacks, some were completely fruitless. But all of them eventually were cast, and I was not cast in any of them.
Graduation came, and I threw myself headfirst into more auditions, unintentionally putting more pressure on myself to rock the audition and land the gig, because now I was a college graduate; I need these jobs now! But again, no phone call.
I had one day where I sulked, depressed that maybe my previous successes were flukes, and I was foolish to try to make a career in acting. Then, I sucked it up, talked to a few mentors, and got back on the straight and narrow road to success. Nothing about the future is secure, and often I'll feel blindfolded. But I haven't come this far to give up on my dreams.
This weekend I went to L.A. and hit up a few auditions. Some went well, others not as well. But being in that great big city of dreamers reminded me that anything is possible. (I also got really excited for when I move there in 16 weeks!) And what I'm starting to learn from this plethora of auditions is that I am too hard on myself in the audition room. I can't control what happens in casting! All I can do is be the best I can be. And on that subject comes lesson number two: I'm not hard enough on myself when I'm not in the audition room. I don't push myself to train harder on a daily basis. I think this is a lesson we can all learn.
What are you doing to grow your talents?
How are you cultivating your knowledge of your art?
What can you do to make your dreams more achievable?
Monday, March 22, 2010
25 SPECIAL ADVANTAGES THE THEATRE MAJOR HAS--- (and may not even know!)
This is a long post, but I found it very interesting, and encouraging as I am about to graduate with a performance degree. Enjoy!
http://lecatr.people.wm.edu/majorslearn.html
THE THEATRE MAJOR HAS---
(and may not even know!)
Here's a list of twenty-five skills, traits, and qualities of personality that are usually well-developed in individuals who complete four years of undergraduate theatre study.
Take special note of them. They are more extensive and important than perhaps you recognize.
As you think about them, consider how many of these advantages are unique to theatre majors--and that you have far more advantages than majors in most other disciplines.
1. Oral Communication Skills
Many students find that theatre helps them develop the confidence that's essential to speaking clearly, lucidly, and thoughtfully. Acting onstage teaches you how to be comfortable speaking in front of large audiences, and some of your theatre classes will give you additional experience talking to groups. Furthermore, your work on crews has taught you that clear, precise, and well-organized oral communications are best. Oral communication skills are so important to some employers that they often send management trainees to special workshops. You already have an advantage.
2. Creative Problem Solving Abilities
Most people expect theatre students to exhibit creativity in such areas as acting, design, playwrighting or directing, and many companies do recruit creative thinkers. But employers are not always aware that theatre experience also helps you learn creative problem-solving techniques that are applicable to many jobs.
For one example, tech theatre work--building scenery, hanging lights, making props, running the show, and so on--is a particularly good way to learn how to think on your feet, to identify problems, evaluate a range of possible solutions, and figure out what to do.
The same is true of almost every aspect of theatre. Directing. Design. Acting. Playwriting. Management. And more.
The point here is that your creative ability, what you've learned about using creative processes to solve problems, can be directly applicable to virtually any job you may have. Most major companies believe that a creative problem-solver will become a good employee. That's you .
3. More than "get it done"
But theatre students learn that just "getting it done" isn't enough. Not at all. It goes beyond that. You learn to do it correctly. In theatre we learn that merely "getting the show on the boards" is pure bush league and totally unacceptable. Whatever your theatrical job--tech, performing, research, management--it has to be done right . You learn to take pride in doing things at your very best level. Of course an employer will value that trait.
4. Motivation and Commitment
Being involved in theatre productions and classes demands commitment and motivation. These are qualities that college theatre faculty members and, in some measure, you and your fellow students, probably already possess. By example, we teach each other that success comes to those who are committed to the task at hand. Few other disciplines you study will so strongly help you develop motivation and commitment.
Many theatre students learn to transfer that attribute from theatre to other activities such as classes and jobs. For employers, that positive attitude is essential.
5. Willingness to Work Cooperatively
Your work in theatre companies teaches you how to work effectively with different types of people--often very different types!
Theatre demands that participants work together cooperatively for the production to success; there is no room for "we" versus "they" behavior; the "star" diva is a thing of the past. Your colleagues will usually let you know when you violate the team spirit of a production.
In theatre, it's important that each individual supports the others involved. Employers will be pleased to know that you understand how to be a team player.
6. The Ability to Work Independently
In theatre, you're often assigned tasks that you must complete without supervision. Crew chiefs. Directing. Putting together this flat, finding that prop, working out characterization outside of rehearsals. It's left up to you to figure out how best to achieve the goal. The ability to work independently is a trait employers look for in their workers.
7. Time-budgeting Skills
When you're a student, being involved in theatre forces you to learn how to budget your time. You need to schedule your days very carefully if you want to keep up your grades while you're busy with rehearsals, work calls, and the other demands that theatre makes on your time. Good time management skills are enormously important to employers.
8. Initiative
Personnel managers call people who approach work with initiative and enterprise "self-starters," people who do what needs to be done without waiting to be asked, without needing to be told.
The complexities of a theatrical production demand individuals who are willing to voluntarily undertake any task that needs to be done in order for the production to succeed. In theatre, we're all self-starters. We learn how to take initiative, to move a project from initial concept to finality--and to do it well.
9. Promptness and Respect for Deadlines
Tardiness is never acceptable in theatre because it shows a lack of self-discipline, and more importantly, a lack of consideration for others. Being late for a rehearsal or a work call or failing to finish an assigned task on time damages a production and adversely affects the work of many other people. Theatre demands that you learn to arrive on time and meet scheduled deadlines.
That's a job-skill. Employers appreciate workers who are on time and do their work as scheduled.
10. Acceptance of Rules
In theatre you work within the structure of a set of procedures and rules that deal with everything from shop safety to behavior at auditions, rehearsals and work calls. You learn that you must be a "good follower." Theatre teaches you the importance of rules, a concept that's valued in any organization.
11. The Ability to Learn Quickly-- AND Correctly
Theatre students, whether they're memorizing lines or learning the technical aspects of a production, must have the ability to absorb a vast quantity of material quickly--and accurately . Your work in college theatre will show that you have the ability to grasp complex matters in a short period of time, a highly-valued trait to employers.
Note that part of this ability is another significant trait: knowing how to listen. If you don't listen, you're likely to make some major error that will damage the production. Listening is a skill for any job and an employer will respect your ability to listen and comprehend.
12. Respect for Colleagues
In theatre you discover that a successful production requires contributions from everybody who's involved. Mutual respect is essential. Working on a production teaches us to respect and trust the abilities and talents of our colleagues. A prospective employer will appreciate the fact that you have learned the importance of respecting your co-workers.
13. Respect for Authority
Only one person can be in charge of any given portion of a production. The director. The shop foreman. The tech director. The designer. Theatre teaches you to willingly accept and respect authority. That's a trait employers look for in their workers.
14. Adaptability and Flexibility
Theatre students must be adaptable and flexible. You need to be willing to try new ideas, accept new challenges, and have the ability to adapt to constantly changing situations and conditions. In one production you may be a member of the prop crew; in the next perhaps you're in charge of makeup, publicity or the box office; in a third production you might have a leading role.
A worker who is versatile and flexible is highly valued to most employers; both traits prove that you are able and willing to learn new things.
15. The Ability to Work Under Pressure
Theatre work often demands long hours. There's pressure--often, as you know well, a lot of pressure. It's important that everyone involved with a production be able to maintain a cooperative and enthusiastic attitude under pressure. The ability to remain poised under such tensions in an asset that will help you cope with stress in other parts of your life, including your job.
16. A Healthy Self-Image
To work in theatre, you must know who you are and how to project your individuality. But at the same time, it's important to recognize the need to make yourself secondary to the importance of a production. This is a tricky balance that, although difficult to accomplish, is a valuable trait that employers treasure.
17. Acceptance of Disappointment-- And Ability to Bounce Back
Theatre people learn to deal with dashed hopes and rejection on a regular basis. Who hasn't failed to get a role he or she really wanted or a coveted spot on a tech crew? You learn to accept that kind of disappointment and move on. You try again. Employers need workers who are resilient enough to bounce back from this kind of frustration.
18. Self-Discipline
Theatre demands that you learn how to control your life. More than other students, you are forced to make choices between keeping up with responsibilities and doing things you'd rather do. You learn to govern yourself. An employer will respect that ability.
19. A Goal-Oriented Approach to Work
Many aspects of theatre involve setting and achieving specific goals. In employer's terms, you've learned to be task-oriented and capable of finding practical ways to achieve goals.
20. Concentration
Busy theatre students, involved in a production or other theatre projects while also taking a heavy academic load, must learn to concentrate if they are to succeed. Acting classes in particular stress concentration, and once you have learned that skill as an actor, it can be transferred to other activities.
21. Dedication
As you work in theatre you learn to dedicate your very being--to doing your best to create a successful production. There is dedication to that show...to your home theatre...to theatre as an art.
Many theatre students discover that committing oneself to a given task is deeply rewarding. Employers respect workers who have learned the value of dedication.
22. A Willingness to Accept Responsibility
Theatre students sometimes have an opportunity that is seldom given to students in other disciplines--the chance to take on sole responsibility for a special project. Being a production stage manager...a designer...a crew chief...a director. Students with other majors seldom have anything even close to these lessons. You can expect employers to value this unusual ability.
23. Leadership Skills
As a theatre student, you have many opportunities to assume leadership roles. You may, for example, assist a director or designer and lead other volunteers, serve as a crew chief, or even design or direct a production yourself. In the nuturing environment of theatre, faculty help you learn from mistakes so you become a better leader. Leadership training like this can open the possibility for comparable opportunities in a company that hires you. Can you think of any other major that offers this opportunity?
24. Self-Confidence
Theatre training teaches you confidence in yourself. Your accomplishments in theatre show you that you can handle a variety of jobs, pressures, difficulties and responsibilities. You develop a "Yes, I can!" attitude. Of course an employer will treasure that.
25. Enjoyment -- "This is Fun!"
You've discovered already that theatre people mystify civilians when we say we're having fun. Non-theatre folk shake their heads when we tell them that, and they ask how it is possible to have "fun" in a job that keeps us working night after night, sometimes until after midnight, doing something that calls for a grinding rehearsal or work schedule day after day after day, that makes us miss going to a movie or a concert. "That's fun?"
Yes. It is. We've learned how to find enjoyment in what we do. That's a valuable attribute.
We can adapt that to other jobs, find ways to enjoy other activities. That positive attitude will mean a great deal to any employer.
Tuesday, February 16, 2010
Yes, that just happened.
I have a reoccurring nightmare that includes one of the following: I forget to arrive for a show, I'm hours late for a rehearsal, I go onstage and don't know a single line of the play I'm performing.... etc. But never has any of this happened before.
Until today.
I'm sitting here in sweatpants, half listening to the Olympic races, half working on an essay that is due in Ethics class tomorrow. I get a text message. I reach over to my phone and open the message. Its from the stage manager of my show that opens in two weeks. Her text was short: "Are you coming to rehearsal tonight?"
This is the part of the story when I start to hyperventilate as I frantically click through my email, trying to find the latest rehearsal schedule. Hidden under 6 other call times for this evening's rehearsal was a call for me to be at the last hour of rehearsal. OH MY GOODNESS.
Now, I'm hopeful that this story will have a happy ending. My stage manager didn't seem too upset when we realized I was 50+ miles away from even making it to the last 30 minutes of rehearsal. My heart beat has started to resume its normal patter, and I'm even attempting regular breathing as I type this post. Tomorrow is a new rehearsal with no mistakes in it, if I can quote from Anne of Green Gables.
And the moral of the story?? ALWAYS check the rehearsal schedule over and over. and over.
Until today.
I'm sitting here in sweatpants, half listening to the Olympic races, half working on an essay that is due in Ethics class tomorrow. I get a text message. I reach over to my phone and open the message. Its from the stage manager of my show that opens in two weeks. Her text was short: "Are you coming to rehearsal tonight?"
This is the part of the story when I start to hyperventilate as I frantically click through my email, trying to find the latest rehearsal schedule. Hidden under 6 other call times for this evening's rehearsal was a call for me to be at the last hour of rehearsal. OH MY GOODNESS.
Now, I'm hopeful that this story will have a happy ending. My stage manager didn't seem too upset when we realized I was 50+ miles away from even making it to the last 30 minutes of rehearsal. My heart beat has started to resume its normal patter, and I'm even attempting regular breathing as I type this post. Tomorrow is a new rehearsal with no mistakes in it, if I can quote from Anne of Green Gables.
And the moral of the story?? ALWAYS check the rehearsal schedule over and over. and over.
Sunday, January 24, 2010
2 weeks down, 14 to go...
Last week I looked at my calender for the next 15 weeks and laughed! I had only two Saturday evenings and three Sundays open on my calender... not a single other free day. Now, a week later, I booked the two Saturdays and have tentative events on the Sundays. I honestly can't imagine how my life can get any crazier!
Rehearsals start for my new show this week, so there go my nice evening study sessions for the next 6 weeks... not like I was getting much studying in anyways.
In other news I am singing the senior solo at my school's graduation.... (Eeek I'm so intimidated for it!) ...and was just asked to record some songs for a friend's project. Hmmm maybe this whole music-degree thing is starting to be worth it?!
Rehearsals start for my new show this week, so there go my nice evening study sessions for the next 6 weeks... not like I was getting much studying in anyways.
In other news I am singing the senior solo at my school's graduation.... (Eeek I'm so intimidated for it!) ...and was just asked to record some songs for a friend's project. Hmmm maybe this whole music-degree thing is starting to be worth it?!
Monday, January 4, 2010
Its a new year!
I love that we've just begun a new decade! Its amazing to look back at the last ten years, and see how far I've come. I can only hope I will grow just as much in the next ten years.
Goals for this year? Well, they aren't so different than some of last year's goals.... build connections, perform as much as possible, stretch myself in new ways, add to my resume....
I think my two big goals are (1.) Graduate college (2.) Find a full time job that I love.
I already have so many new projects; two shows, two teaching jobs, and 18 units of classes. It makes me wonder: What will I learn and discover in the 17 weeks before I'm a college graduate? Let's do this, 2010!!
Goals for this year? Well, they aren't so different than some of last year's goals.... build connections, perform as much as possible, stretch myself in new ways, add to my resume....
I think my two big goals are (1.) Graduate college (2.) Find a full time job that I love.
I already have so many new projects; two shows, two teaching jobs, and 18 units of classes. It makes me wonder: What will I learn and discover in the 17 weeks before I'm a college graduate? Let's do this, 2010!!
Monday, December 28, 2009
Diva? or Artist?
I received some very strong words from a dear friend this weekend. This friend was condemning the "star-seeking" attitude that seems to come with anyone in show business. I can see how this might be assumed: the photo shoots to find the perfect headshot, the hunger for feedback after a performance, the desire for leading roles in a show, the constant battle for a perfect self image, etc. I can also understand how hard it must be to have a friend in the industry. Instead of being able to hang out or go to parties, they have long rehearsals and multiple shows.
Since hearing her thoughts, I've thought a lot about this. Yes, I, like many performers, have a need for attention and encouragement. I want to know that what I'm doing is good and enjoyable. But is it this attention that has made me so addicted to being a performer? NO! My passion is for stories told truthfully, for music performed exquisitely, for magic to be found in every day things, all of which being presented to and audience in a way that makes them laugh, cry, wonder, and discuss. I want every performance I am a part of to be something that touches you in a way that other things can't. There is something so special about live theater, something that no other art form has been able to quite capture, and that is what brings people back to it. That is what brings ME back to it.
Since hearing her thoughts, I've thought a lot about this. Yes, I, like many performers, have a need for attention and encouragement. I want to know that what I'm doing is good and enjoyable. But is it this attention that has made me so addicted to being a performer? NO! My passion is for stories told truthfully, for music performed exquisitely, for magic to be found in every day things, all of which being presented to and audience in a way that makes them laugh, cry, wonder, and discuss. I want every performance I am a part of to be something that touches you in a way that other things can't. There is something so special about live theater, something that no other art form has been able to quite capture, and that is what brings people back to it. That is what brings ME back to it.
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